Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• 1 Blueray Disk Only.
• In Jewel Case
• Preowned
• Great Condition

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” â€" Bryan Erdy CBS-TVThe Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America join! s Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, ! although the war action goes generic for a while and the clima! x feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

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Garden of Eden

• ISBN13: 9780684804521
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

The late 1960s and early 1970s, in New York City and America at large, were years marked by political tumult, social unrestâ€"and the best professional basketball ever played. Paradise, for better or worse, was a hardwood court in Midtown Manhattan.

When the Garden Was Eden is the definitive account of how the New York Knickerbockers won their first and only championships, and in the process provided the nation no small escape from the Vietnam War, the tragedy at Kent State, and the last vestiges of Jim Crow. The Knicks were more than a team; they were a symbol of harmony, the sublimation of individual personalities for the greater collective good.

No one is better suited t! o revive the old chants of “Dee-fense!” that rocked Madison Square Garden or the joy that radiated courtside than Harvey Araton, who has followed the Knicks, old and new, for decadesâ€"first as a teenage fan, then as a young sports reporter with the New York Post, and now as a writer and columnist for the New York Times. Araton has traveled to the Louisiana home of the Captain, Willis Reed (after writing a column years earlier that led to his abrupt firing as the Knicks’ short-lived coach); he has strolled the lush gardens of Walt “Clyde” Frazier’s St. Croix oasis; discussed the politics of that turbulent era with Senator Bill Bradley; toured Baltimore’s church basement basketball leagues with Black Jesus himself, Earl “the Pearl” Monroe; played memory games with Jerry “the Brain” Lucas; explored the Tao of basketball with Phil “Action” Jackson; and sat through eulogies for Dave DeBusschere, the lunch-bucket, 23-year-old player-coach ! lured from Detroit, and Red Holzman, the scrappy Jewish guard ! who beca me a coaching legend.

In When the Garden Was Eden, Araton not only traces the history of New York’s beloved franchiseâ€"from Ned Irish to Spike Lee to Carmelo Anthonyâ€"but profiles the lives and careers of one of sports’ all-time great teams, the Old Knicks. With measured prose and shoe-leather reporting, Araton relives their most glorious triumphs and bitter rivalries, and casts light on a time all but forgotten outside of pregame highlight reels and nostalgic reunionsâ€"a time when the Garden, Madison Square, was its own sort of Eden.

Think you know how the game of baseball began? Think again.

Forget Abner Doubleday and Cooperstown. Forget Alexander Joy Cartwright and the New York Knickerbockers. Instead, meet Daniel Lucius Adams, William Rufus Wheaton, and Louis Fenn Wadsworth, each of whom has a stronger claim to baseball paternity than Doubleday or Cartwright.

But did baseball even have a fatherâ€"or did it just evolve from other bat-and-b! all games? John Thorn, baseball’s preeminent historian, examines the creation story of the game and finds it all to be a gigantic lie, not only the Doubleday legend, so long recognized with a wink and a nudge. From its earliest days baseball was a vehicle for gambling (much like cricket, a far more popular game in early America), a proxy form of class warfare, infused with racism as was the larger society, invigorated if ultimately corrupted by gamblers, hustlers, and shady entrepreneurs. Thorn traces the rise of the New York version of the game over other variations popular in Massachusetts and Philadelphia. He shows how the sport’s increasing popularity in the early decades of the nineteenth century mirrored the migration of young men from farms and small towns to cities, especially New York. And he charts the rise of secret professionalism and the origin of the notorious “reserve clause,” essential innovations for gamblers and capitalists. No matter how much you ! know about the history of baseball, you will find something ne! w in eve ry chapter. Thorn also introduces us to a host of early baseball stars who helped to drive the tremendous popularity and growth of the game in the postâ€"Civil War era: Jim Creighton, perhaps the first true professional player; Candy Cummings, the pitcher who claimed to have invented the curveball; Albert Spalding, the ballplayer who would grow rich from the game and shape its creation myth; Hall of Fame brothers George and Harry Wright; Cap Anson, the first man to record three thousand hits and a virulent racist; and many others. Add bluff, bluster, and bravado, and toss in an illicit romance, an unknown son, a lost ball club, an epidemic scare, and you have a baseball detective story like none ever written.

Thorn shows how a small religious cult became instrumental in the commission that was established to determine the origins of the game and why the selection of Abner Doubleday as baseball’s father was as strangely logical as it was patently absurd. Entertaining fro! m the first page to the last, Baseball in the Garden of Eden is a tale of good and evil, and the snake proves the most interesting character. It is full of heroes, scoundrels, and dupes; it contains more scandal by far than the 1919 Black Sox World Series fix. More than a history of the game, Baseball in the Garden of Eden tells the story of nineteenth-century America, a land of opportunity and limitation, of glory and greedâ€"all present in the wondrous alloy that is our nation and its pastime.A sensational bestseller when it appeared in 1986, The Garden of Eden is the last uncompleted novel of Ernest Hemingway, which he worked on intermittently from 1946 until his death in 1961. Set on the Côte d'Azur in the 1920s, it is the story of a young American writer, David Bourne, his glamorous wife, Catherine, and the dangerous, erotic game they play when they fall in love with the same woman. "A lean, sensuous narrative...taut, chic, and strangely contempor! ary," The Garden of Eden represents vintage Hemingway, ! the mast er "doing what nobody did better" (R. Z. Sheppard, Time).

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Daytime Drinking

• Things look different from the bottom of a bottle.After breaking up with his girlfriend, Hyuk-jin hits a bar in Seoul with his friends. Totally drunk, they decide to take a trip to console Hyuk-jin's broken heart. They agree to leave first thing the next day. However, when Hyuk-Jin gets off the bus the next afternoon, he finds out he's the only one that made the trip. His friends had horrible hang

After breaking up with his girlfriend, Hyuk-jin hits a bar in Seoul with his friends. Totally drunk, they decide to take a trip to console Hyuk-jin's broken heart. They agree to leave first thing the next day. However, when Hyuk-Jin gets off the bus the next afternoon, he finds out he's the only one that made the trip. His friends had horrible hangovers and completely forgot. Worse, he quickly finds that the festival they were headed to was weeks ago... no shops, no other tourists, and the beach is ! freezing cold. Hyuk-jin is truly, honestly, alone. Over the next few days, Hyuk-jin finds himself in a series of increasingly bizarre situations, most of them aided by the fact that, due to his respect for the etiquette of Korean drinking culture, Hyuk-jin cannot refuse a drink when someone offers him one. With his friends not showing up, and his wallet gone, Hyuk-jin has to figure out how get out of what must surely be the world's worst hangover, get back to Seoul, and end his drunken odyssey.

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Bruce Almighty (Widescreen Edition)

• TESTED

DVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity! of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

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Digimon Data Squad Collection Two

• DIGIMON DATA SQUAD - COLLECTION TWO (DVD MOVIE)

When a powerful new Internet Digimon hatches and begins to consume data at an alarming rate, the Digidestined - kids chosen to save the digital world - must put an end to the destruction before the damage becomes irreversible and worldwide communication halts forever. As computer-based missiles are launched, and a wayward Digimon kidnaps the Digidestined, only the combined efforts of a worldwide network of kids and a new group of "Digidestined" can rescue the others and stop global disaster.Like the similar Pokémon craze, the animated Digimon TV series has spawned a full-length theatrical film. The two phenomena are similar: kids collect monsters and go on adventures. While Pokémon has a sense of odyssey and a wisp of a moral, Digimon is flat-out rough-and-tumble adventure. Can an adult figure out the digi-detail! s of the digi-world? Here's a digi-shot. That world is full of evolving monsters that live and fight in their own ways. The digi-world and real world can intermix, and one of the portals is the Internet. So kids sit at their laptops and fight with their digi-monsters in an abstract environment that looks like something from Tron but with none of the cool. The first 50 of 83 minutes is backstory that takes place eight years earlier. So everyone is grown up (as the time frame leaps over all the original Digimon TV shows), and Digimon and humans interact on Earth. A bad digi-virus is bent on revenge, and it will take more than a laptop to defend the planet. That said, if the end of the world ever looms, a golden digi-egg will be a good thing to have. (Ages 6 to 12) --Doug ThomasWhen a powerful new Internet Digimon hatches and begins to consume data at an alarming rate, the Digidestined - kids chosen to save the digital world - must put an end to the destru! ction before the damage becomes irreversible and worldwide com! municati on halts forever. As computer-based missiles are launched, and a wayward Digimon kidnaps the Digidestined, only the combined efforts of a worldwide network of kids and a new group of "Digidestined" can rescue the others and stop global disaster.Digimon Data Squad Collection Two contains the next wave of 13 action packed episodes from the newest Digimon Data Squad series. Follow the exciting new adventures of Marcus, Agumon, Thomas, Yoshi, Lalamon, and Gaomon as they are transported to the Digital World. See the Data Squad make their way to the Infinite Ice Ridge where they battle Gotsumon and Mammothmon. Who will be able to digivolve to the ultimate level? Meet Pteramon, Boarmon, Machgaogamon and SaberLeomon as the DATS team continues on their exciting action packed journey. What fun adventures will the DATS team and their partner Digimons will face next?

This Digimon Collection Two DVD contains a Bonus special collectable Digimon Data Squad Promo Reel which fans both old! and new will certainly enjoy!

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Explicit Ills - Blu Ray [Blu-ray]

• EXPLICIT ILLS BLU-RAY (BLU-RAY DISC)

In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.In the streets of North Philadelphia, the lives of strangers intersect in a bold and moving semi-autobiographical tale that crosscuts between the many people who struggle in the face of poverty, drugs and the human connection.

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Brother Laminated Black on White Tape (TZe231)

• Black on white, 12mm
• It is 26.2 ft (8m) yield
• It is standard laminated

Critically acclaimed drama that invokes the glory days of the Harlem Renaissance. As an elderly man, poet Bruce Nugent meets a young black gay artist struggling to find his voice and together they embark on a surreal narrative journey through his inspiring past.

DVD Bonus Features:
Separate commentaries by Director Rodney Evans and lead actor Anthony Mackie
Behind the Scenes: Interview with the Director Rodney
Evans
Deleted Scenes
Theatrical Trailer
Chapter Stops . .
Letterbox 1: 1.85
Closed Caption
Dolby 2.0 StereoLimited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2006.Brother to Brother: New Writings by Black Gay Men, begun by Joseph Beam and completed by Essex Hemphill after Beam's death in 1988, is a collection of now-class! ic literary work by black gay male writers. This new edition includes an introduction by Dr. Jafari Sinclaire Allen.The official ArtistShare release! Features: John, Jeff, and Gerald Clayton, as well as Obed Calvaire and Terell StaffordThis tape features our exclusive laminated tape process and our standard adhesive. Perfect for everyday applications. These labels stay on under normal indoor and outdoor use, including hot and cold environments. Best suited for smooth flat surfaces. For Use With: GL-100, PT-1000, PT-1000BM, PT-1010, PT-1010B, PT-1010NB, PT-1010R, PT-1010S, PT-1090, PT-1090BK, PT-1100, PT1100SB, PT-1100SBVP, PT-1100ST, PT-1120, PT-1160, PT-1170, PT-1180, PT-1190, PT-11Q, PT-1200, PT-1230PC, PT-1230PC, PT-1280, PT-1280SR, PT-1280VP, PT-128AF, PT-1290, PT-1300, PT-1400, PT-1400, PT-1500PC, PT-1600, PT-1600, PT-1650, PT-1650, PT-1700, PT-1750, PT-1760, PT-1800, PT-1810, PT-1830, PT-1830C, PT-1830SC, PT-1830VP, PT-1880, PT-1880, PT-18R, PT-18R, PT-1900, PT-1950, PT-1960, PT-200, PT-2030, PT-2030AD, PT-2030VP, PT-2100, PT-2100, PT-2110, PT-2110, PT-2200, PT-2210, PT-2300, PT-2310, PT-2400, PT-2410, PT-2430PC, PT! -2430PC, PT-2500PC, PT-2600, PT-2610, PT-2700, PT-2710, PT-2710, PT-2730, PT-2730VP, PT-300, PT-300B, PT-310, PT-310B, PT-320, PT-330, PT-340, PT-350, PT-3600, PT-520, PT-530, PT-540, PT-550, PT-580C, PT-7100, PT-7500, PT-7600, PT-9200DX, PT-9200PC, PT-9400, PT-9500PC, PT-9500PC, PT-9700PC, PT-9800PCN, ST-1150, ST-1150DX, ST-5

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The Limits of Control

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Celebrated writer-director Jim Jarmusch (Mystery Train) serves up this witty and intoxicating brew that's "as addictive as caffeine" (Richard Roeper, "Ebert & Roeper and the Movies") and "as buzzy and ephemeral as, well, coffee and cigarettes" (LA Weekly)! "Sneakily delirious [and] way cool" (Time), this "funny cluster of eleven stories" (Rolling Stone) delivers "inspired eccentric match-ups" (The Hollywood Reporter) from an incredible all-star cast, making Coffee and Cigarettes an absolute must for fans of film, fun and fantastic wit!Now here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambi! ance, there's something touching about this parade of frazzled people holding on to their coffee and cigarettes like life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonNow here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambiance, there's something touching about this parade o! f frazzled people holding on to their coffee and cigarettes li! ke life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonALL PRODUCTS BRAND NEW, GUARANTEED AND FACTORY SEALED, GREAT PRODUCTS AND EXCELENT SERVICE (IDIOMA:INGLES,SUBTITULOS:ESPANOL,DURACION:96 MINS)When fate lands 3 hapless men - an unemployed disc jockey a small-time pimp & a strong-willed italian tourist - in a louisiana prison their singular adventure begins. Studio: Image Entertainment Release Date: 10/22/2002 Starring: John Lurie Roberto Benigni Run time: 107 minutes Director: Jom Jar! muschAfter creating one of the breakthrough movies of the American independent cinema, Stranger than Paradise, Jim Jarmusch stayed right in the same minimalist, oddball, black-and-white groove. Down by Law takes place in Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this movie is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Roberto Benigni, the Italian comedian (Life Is Beautiful), and he lights it up with his e! ffervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train, a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Jarmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed.Johnny Depp (CHOCOLAT) delivers a remarkable performance in this highly acclaimed tale of adventure and intrigue in the wild, wild west! A young man in search of a fresh start, William Blake (Depp) embarks on an exciting journey to a new town ... never realizing the danger th! at lies ahead. But when a heated love triangle ends in double murder, Blake finds himself a wanted man, running scared -- until a mysterious loner teaches him to face the dangers that follow a "dead man." With an outstanding supporting cast including Gabriel Byrne (THE USUAL SUSPECTS) and Robert Mitchum (CAPE FEAR), and a sizzling soundtrack, DEAD MAN is another motion picture triumph from filmmaker Jim Jarmusch.This disappointment from Jim Jarmusch stars Johnny Depp in a mystery-Western about a 19th-century accountant named William Blake, who spends nearly all his money getting to a hellish mud town in the old West and ends up penniless and doomstruck in the wilderness. A benevolent if goofy Native American (Gary Farmer) takes an interest in guiding Blake on a quest for identity in his earthly journey, but the film is really just a string of endless shtick about inbred woodsmen, dumb lawmen, and a trio of irritable killers. With Robert Mitchum, Iggy Pop, Gabriel Byrne, Alf! red Molina, and a noodling soundtrack by Neil Young. --Tom ! KeoghAcclaimed filmmaker Jim Jarmusch delivers a stylish and sexy new thriller about a mysterious loner (De Bankolé) who arrives in Spain with instructions to meet various strangers, each one a part of his dangerous mission. Featuring an all-star international cast that includes Isaach De Bankolé, Gael García Bernal, John Hurt, Tilda Swinton and Bill Murray, it’s a stunning journey in an exotic Spanish landscape that simmers with heat and suspense.Jim Jarmusch has been the cinema's deadpan poet of lives in transit, from his breakthrough feature Stranger Than Paradise (1984) to Broken Flowers (2005). Limits of Control pretty much consists of deadpan and transit as it follows--make that contemplates--the mission of an enigmatic hitman through some picturesque but sparsely populated corners of Spain. Whom this "Lone Man" (Isaach De Bankolé) is supposed to kill and why are matters not shared with the viewer. Neither is the content of the various minuscule ! messages Lone Man periodically receives, reads, then swallows. Presumably they cue the next stage of his itinerary, which includes encounters with John Hurt as a guitar-toting philosophe who disdains the word "bohemian," Tilda Swinton as a platinum-blonde-wigged femme fatale emulating Rita Hayworth in The Lady from Shanghai (and reminding us that that glorious movie made no sense either), and Pas de la Huerta as a young woman called, with incontrovertible aptness, "Nude." Throughout, De Bankolé's magnificent carven-ebony features register little, not even exasperation that every conversation begins with someone saying to Lone Man, "You don't speak Spanish, do you?"--in Spanish.

Most of the little that's said in Limits of Control is stuff like "Everything is subjective ... Reality is arbitrary ... Life is a handful of dust" (though that gets translated as "Life is a handful of dirt"). You've gathered by now that no way is this a thriller, although ! it teases against the outline of one. Its hipster self-conscio! usness i ncludes name-dropping (Eliot, Rimbaud, Hitchcock; the title is from William Burroughs), homage (Citizen Kane, Contempt, De Chirico), and quite a bit of cutting from paintings to actual scenes that resemble them, and vice versa. It's all impeccably shot by Christopher Doyle, who knows just how to light De Bankolé and his dark monochrome outfits against dark monochrome backgrounds, and make us glad he does. Otherwise, Limits of Control pales in comparison to Jarmusch's other film centered on a taciturn black assassin, Ghost Dog: The Way of the Samurai (1999), with Forest Whitaker. There the minimalist narrative took on an aura of ritual, devotion, and genuine mystery. The rituals being observed in Limits of Control feel empty and played out. --Richard T. Jameson

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