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Hoping to find solace from the demons that haunt her, Vail makes her first trip to the Napa Valley. But shortly after arriving, a victim is found in the deepest reaches of an exclusive wine cave, the work of an extraordinarily unpredictable serial killer. From the outset, Vail is frustrated by her inability to profile the offenderâ"until she realizes why: the Behavioral Analysis Unit has not previously encountered a killer like him.
As Vail and the task force work around the clock to identify and locate him, theyâre caught in a web knotted with secre! tive organizations, a decades-long feud between prominent wine families, and widespread corruption that leads Vail to wonder whom, if anyone, she can trust. Meanwhile, as the victim count rises, Vail can't shake the gnawing sense that something isn't right.
With the killerâs actions threatening the Napa Valleyâs multi-billion dollar industry, the stakes have never been greater, and the race to find the killer never more urgent.
And through it all, a surprise lurksâ¦one that Karen Vail never sees coming.
Meticulously researched during years of work with the FBI profiling unit and extensive interviews with wine industry professionals, bestselling author Alan Jacobson delivers a high-velocity thriller featuring the kind of edge-of-your-seat ending that inspired Nelson DeMille to call him "a hell of a writer."
Twenty-six bestselling authors return to the teenage bedrooms, school hallways and college dorms of their youth to share passionate essays of love lost and found and lessons learned along the way. Whether heartbreaking or hilarious, their soul-baring honesty reminds us to keep reaching for true love wherever we can find it and for as long as it takes. Their intimate reflections will fascinate and move any reader who remembers her first love.A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences. Alicia Silverstone and Cary Elwes star in "a top-notch thriller.Just when she thinks she knows who she is, Hope falls in love - and her world is turned upside down! . (RL3.8) (20060601)Introduced in 2003. Fragrance notes: A fruity and luscious scent, with sweet flowers, musk and vanilla. Recommended use: romantic.
All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an invisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson
Change your look or choose your favorite side with our double-sided posters. Ballistic - Ecks vs. Sever is that perfect piece that matches your style, interests, and budget.
"The perfect follow-up to Krakauer's riveting account of a per! fect storm."
--Miami Herald
"Kodas's absorbing description of the narrow moral compass governing human interaction at the top of the world is bound to shock both armchair adventurers and seasoned mountaineers."
--Chicago Tribune
"(Kodas) discovered more deceit, thievery, and double-crossing among his climbers than you find in a Martin Scorsese gangster film. High Crimes is both an adventure story and an exposé of a sport riddled with danger and corruption."
--Washington Post Book World
"Kodas's descriptions of the struggles confronting even the best-prepared climbers leave the reader breathless."
--Dallas Morning News
"[High Crimes] is hair-raising and lays bare the excitement and fear that face great explorers at the top of the world. . . . Well written, and as deftly plotted as the finest mystery novel, Kodas brings to life a disturbing picture of society at high alti! tude."
--Austin Chronicle
"Kodas doe! s an exc ellent job exposing the ways in which money and ego have corrupted the traditional cultures of both mountaineers and their Sherpa guides. . . . His narrative is as hard to turn away from as a slow-motion train wreck."
--Publishers Weekly
High Crimes is journalist Michael Kodas's gripping account of life on top of the world--where man is every bit as deadly as Mother Nature.
Meet Claire Heller Chapman. A criminal defense attorney whoâs made a name for herself by taking onâ"and winningâ"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents bursts onto the sceneâ¦heading ! straight for Claireâs husband.
Tom Chapman has been ar! rested f or an atrocious crime he swears he did not commit. Claire is desperate to believe himâ"and prove his innocenceâ"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really isâ¦and the more he appears to be a cold-blooded murderer.
Meet Claire Heller Chapman. A criminal defense attorney whoâs made a name for herself by taking onâ"and winningâ"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents ! bursts onto the sceneâ¦heading straight for Claireâs husban! d.
Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ"and prove his innocenceâ"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really isâ¦and the more he appears to be a cold-blooded murderer.
Meet Claire Heller Chapman. A criminal defense attorney whoâs made a name for herself by taking onâ"and winningâ"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinn! er, a team of government agents bursts onto the sceneâ¦headin! g straig ht for Claireâs husband.
Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ"and prove his innocenceâ"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really isâ¦and the more he appears to be a cold-blooded murderer.
* "The Release of Fahrenheit 9/11" featurette
* "Iraq, Pre-War" featurette: The people of Iraq on the eve of invasion
* "Homeland security, Miami style"! featurette: Footage of the old men who patrol the Florida coast lookng for terrorists as part of the homeland security plan
* "Outside Abu Ghraib Prison"
* Eyewitness account from Samara, Iraq
* "Lila, D.C.": Lila Lipscomb at the Washington, D.C. premiere
* Arab-American comedians: Their acts and experiences after 9/11
* Extended interview: More with Abdul Henderson
* "Condi 9/11": Condoleezza Rice's 9/11 Commission testimony
* "Bush Rose Garden": George W. Bush's full press briefing after 9/11 Commission appearanceTo anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundanc! e of indisputable film and video footage, and his own ironical! ly comed ic sense of righteous indignation, with the singular intention of toppling the war-ravaged administration of President George W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corruption, senseless death, unnecessary war, and political favoritism toward Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff ShannonControversy...What Controversy?
In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination! of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire.
To anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundance of indisputable film and video footage, and his own ironically comedic sense of righteous indignation, with the singular intention of toppling the war-ravaged administration of President George W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corr! uption, senseless death, unnecessary war, and political favori! tism tow ard Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff Shannon